Career: the first outsider at Guerlain
Swiss-born Thierry Wasser built his career in the big fragrance houses before joining Guerlain in 2008. There he succeeded Jean-Paul Guerlain and became the house's first in-house perfumer from outside the family. It is a heavy job. He inherited Shalimar and L'Heure Bleue, and with them a very coded style built on vanilla, tonka and iris. His role mixes creation and guardianship, since he also looks after raw materials and keeps the classics faithful. On recent launches he often works in tandem with Delphine Jelk, who co-signed all three perfumes on this page. Our reading: Wasser has not tried to break with the house. He has made the Guerlain signature lighter and more immediate, for people who reach the brand through these launches rather than through Shalimar.
Style: a lighter guerlinade
The three scents here share the same warm foundation. Tonka shows up in La Petite Robe Noire and L'Homme Idéal. Vanilla appears in La Petite Robe Noire and Mon Guerlain, with coumarin in Mon Guerlain too. That is the Guerlain inheritance, nothing surprising. What changes is the opening. Wasser adds a playful top that reads instantly. Think cherry and almond in La Petite Robe Noire, or lavender in Mon Guerlain. Bitter almond opens L'Homme Idéal, and almond is clearly his favourite material on this page. Intensities stay moderate, all rated 3 out of 5. These are perfumes made for daily wear, not for filling a room. The flip side is that next to the house's great classics they can feel tame. You gain ease and lose some mystery.

